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Felix Pinchi

FELIX AGUIRRE Pinchi.
 
Born August 21, 1983 in Huanuco – Peru.
I received at a very early age drawing and painting classes from the Usko-Ayar Amazonian School teacher and director Don Pablo C. Amaringo Shun. And participated in several art shows organized by the INC (Instituto Nacional de Cultura) by the school and other national organizations promoting the new art form Amazon.

On 15 September 2006 I retired from the school receiving a certificate as an instructor of painting and painter, on behalf of Usko-Ayar Amazonian School of Painting.  Today I expose my work online on facebook, Artel and other sites. The rest of my training is self taught and my work is almost unknown. The diversity of my subjects is based on a constant quest for challenges they face and to learn from it. I like to dwell on landscapes and details; always trying to capture the surreal reality in its purest form and trying to optain a perfection that I know exists.

Took Ayahuasca for the first time when I was studying philosophy of the teachers teaching about plants in school. I remember the Ayahuasca showed me more than I wanted, above all, learned to appreciate more things about  plants and thanks to them we have a good spiritual, mental and material ……... It gave me a purpose for art, a way to connect people with the forest and the universe and illuminate the soul, raising awareness to care for and protect our planet, showing how beautiful and wonderful it is, so you can come to live in peace.

Tingo Maria, the town where I live now, I started my career with impressionism and surrealism happenings, where I started to reshape my style of painting, which eventually defined in a style, like a very personal dream, where the artistic impulse takes center stage. This space is the space dream Ayahuasca, the only space that could contain the overwhelming body of sleep, airy space where movement mystically makes bodies move up in a paradoxical way: as if being carried by some invisible spirit in a cosmic vacuum . According to the shamans of the jungle, it is the primary space, the array and the receptacle in which case the original creation, guided by the snake of DNA to our ancestors, in the manufacturing space, and the intermediary, that is, not is, visible and invisible: a cosmic mirror where the mirror would be perpetual, the memory image of the ancestral spirits, the antidote against forgetting, and the cure of our deseases. Watching the visionary images of the artist is like examining a huge cosmic mirror, an image intriguing to speculate, reflecting the exquisitely rich surface of the folds, textures misleading the game, this also reveals that the image hidden in dreams sacrosanct, and is a great reward to the viewer, the precious gift offered by the artist, a song on a canvas shaped like a poem without words that lifts our spirit to God, therefore, this is an imaginary space and spirits are like visions.


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According to the shamans of the jungle, it is the primary space, in which the original creation is guided by the snake of DNA to our ancestors. It is both visible and invisible: a perpetual cosmic mirror reflecting the memory image of the ancestral spirits, the antidote against forgetting, and the cure for our diseases. Watching the visionary images of the artist is like examining a huge cosmic mirror. As images reflect the exquisitely rich surface of the folds and textures and gaps, they mislead and intrigue at the same time. They reveal images normally hidden in sacrosanct dreams. To perceive these images in waking condition is a great reward to the viewer, the precious gift offered by the artist. The painting thus becomes a song on a canvas, shaped like a poem without words as it lifts our spirit to God.

FELIX AGUIRRE PINCHI Born August 21, 1983 in Huanuco – Peru.

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